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We continue our series of looking at the most popular music for a given year. The topic, as you know by the headline, is singles and while we have done stories on the biggest hits of the year, this series slices things a bit differently. Here, we look at 1975βs #1 pop hits in the U.S. according toΒ Record World, a competitor ofΒ Billboard.
Earning a #1 single is an achievement that goes on an artistβs permanent biography.Β In 1975, only four songs stayed at the top for three weeks or more. Just five more were at #1 for two weeks. Thus, 39 different singles, including many of the eraβs great dance floor numbers, reached #1 that year, as programmers were featuring less from rock acts. Our recap begins in reverse, and alphabetically by artist, starting with the 30 that grabbed the top spot for a single week as the decade reached its midway point. (Note: Many of the chart numbers will differ with those compiled byΒ Billboard.)
1 Week
Average White Band β βPick Up the Piecesβ
The Scottish funk and R&B group got their big break as the opening act on Eric Claptonβs comeback tour. The songβs title, occasionally shouted, are the only lyrics on what is otherwise an instrumental.
America β βSister Golden Hairβ
The American rock band, formed in London, England, earned seven Top 10 hits.
Bay City Rollers β βSaturday Nightβ
The teeny bopper band from Scotland had already earned eight Top 10 hits in the U.K. when they were introduced to U.S. audiences with this toe-tapping guilty pleasure (cβmon, admit it).
David Bowie β βFameβ
Top 40 radio made up for their failure to fully appreciate the Star Manβs previous single from the same album, the phenomenalβYoung Americans,β which peaked at #28.
The Carpenters β βPlease Mr. Postmanβ
The recording duo were radio darlings, scoring 11 Top 5 singles between 1970-1975.
John Denver β βThank God Iβm a Country BoyβΒ andΒ βIβm Sorryβ
The former has been played during the seventh-inning stretch at Baltimore Orioles home games for roughly 40 years.
The Doobie Brothers β βBlack Waterβ
After scoring earlier success with such rockers as βLong Train Runnin’β and βChina Grove,β the band slowed things down with this gem, written and sung by guitarist Patrick Simmons, highlighted by its unique a cappella section.
Eagles β βOne of These Nightsβ
The group wasΒ en fuegoΒ at this point, dominating the singles and album chart like no other band of the era.
Earth, Wind & Fire β βShining Starβ
The R&B, soul and funk band had already earned a pair of R&B hits but had lacked a crossover single. Then this juggernaut arrived, putting them on a trajectory for true superstardom.
Freddy Fender β βBefore the Last Teardrop Fallsβ
The success of this bilingual recording by the Tejano musician is just one example of what makes Top 40 in the β70s so surprising. In its sole week at the top, it was being played alongside songs by Grand Funk and Chicago.
Dickie Goodman β βMr. Jawsβ
The record producer created novelty songs that featured a narrator commenting or asking questions and using samples from hit records to answer or reply. This one cashed in on the success of the summer blockbuster movieΒ JawsΒ and features snippets of contemporary hits from Olivia Newton-John, Glen Campbell, James Taylor, the Eagles, Bee Gees, and others.
Hamilton, Joe Frank & Reynolds β βFallinβ in Loveβ
The soft rock trio scored four years earlier with βDonβt Pull Your Love.β
Elton John β βSomeone Saved My Life Tonightβ
The autobiographical song, and only release from theΒ Captain FantasticΒ album, tells the story of the starβs suicide attempt. Though it peaked at βonlyβ #4 onΒ Billboardβs Hot 100, it continued his streak of #1 albums, which would run to seven.
Labelle β βLady Marmaladeβ

These photos appeared in Record World on Mar. 29, 1975, the week the song hit #1.
This tour-de-force came from songwriters Bob Crewe (best known for his songs for the Four Seasons) and Kenny Nolan. (The pair also wrote Frankie Valliβs βMy Eyes Adored Youβ; more on that later.) The song was co-produced by New Orleans legend Allen Toussaint with lead vocals by Patti LaBelle and back-up by her group mates Nona Hendryx and Sarah Dash.
What a recording! Arguably the finest single of the year. And the bawdy French lyrics got past the gatekeepers.
Barry Manilow β βMandyβ
This cover of a song called βBrandyβ had its title and lyric changed to avoid confusion with Looking Glassβ 1972 hit. Manilow enjoyed an enviable track record with Top 40 programmers well into the β80s.
Van McCoy β βThe Hustleβ
The successful songwriter for other artists had released many of his own singles without success until, as legend as it, his music partner observed New York City club-goers doing a dance called βthe Hustle.β McCoy wrote the song and in July it reached #1, later earning a Grammy for Best Pop Instrumental Performance. Four years later, he was dead of a heart attack at age 39.
Olivia Newton-John β βHave You Never Been Mellowβ
The 26-year-old was quickly becoming the girl-next-door with her dominance of the U.S. country and pop charts, while still three years away from her starring role inΒ Grease.
The Ohio Players β βFireβ
The funk band from Dayton, Ohio had a run of success that included five R&B chart-toppers but were perhaps known more for their erotic album covers featuring nearly nude women.
Tony Orlando and Dawn β βHe Donβt Love You (Like I Love You)β
The final #1 for the highly successful singer, television personality and record executive (he signed Barry Manilow to his first recording contract).
Ozark Mountain Daredevils β βJackie Blueβ
The country-rock band were signed to A&M Records by an in-house producer who was said to be looking for an Eagles-type band.
Minnie Riperton β βLovinβ Youβ
The singer wrote the song with her husband, Richard Rudolph, who produced it with none other than Stevie Wonder. At the end of the unedited version, Riperton can be heard saying the name Maya, over and over. Thatβs for her infant daughter, who grew up to become comedic actress Maya Rudolph, who was in the studio with her. Riperton died of cancer four years later at age 31.
Linda Ronstadt β βYouβre No Goodβ
The sensational singer earned several #1 albums but only one single that topped the pop chart, which she belts with gusto. Superb production from Peter Asher.
Neil Sedaka β βLaughter in the RainβΒ andΒ βBad Bloodβ
He earned his first chart success as a teenager in 1958 and remained a chart fixture throughout the early β60s, culminating with a #1 single in 1962 with βBreaking Up is Hard to Do.β Within two years, he ran into a fallow period that lasted until his comeback hit with βLaughter in the Rainβ when he was still just 35 years old. Just listen to that soaring vocal.
Nine months later, he returned to the top with βBad Blood.β
Silver Convention β βFly, Robin, Flyβ
The lyrics to the worldwide Euro disc hit consist of just six words: fly, robin, up, to , the (and) sky. Listen for yourself.
The Spinners β βGames People Playβ
The vocal group had an amazing run of 18 Top 10 R&B singles. Seven of those reached the Top 5 of the pop chart, many of which were produced by their longtime collaborator Thom Bell, including this one, also known as βThey Just Canβt Stop It.β
B.J. Thomas β β(Hey Wonβt You Play) Another Somebody Done Somebody Wrong Songβ
The great vocalist scored his second #1 pop hit which also earned its songwriters, Larry Butler and Chips Moman, the Grammy for Best Country Song.
Frankie Valli β βMy Eyes Adored Youβ
The Four Seasonsβ frontman earned a slew of solo hits in the β70s. One week after hitting the top, it was replaced there by βLady Marmalade,β which was written by the same songwriting team (see above).
Stevie Wonder β βBoogie On Reggae Womanβ
This funk number paired with βYou Havenβt Done Nothin’β to deliver a big one-two punch to 1974βsΒ Fulfillingnessβ First FinaleΒ LP.
Related:Β The 44 (count em!) #1 singles of 1974
2 Weeks
Bee Gees β βJive Talkin’β
The first song from their sensationalΒ Main CourseΒ album signaled a significant change of their musical direction, with a big assist from producer Arif Mardin.
Related:Β Our Album Rewind of Main Course
Glen Campbell β βRhinestone Cowboyβ
Another Top 40 fixture who had seen his star dimmed in recent years, Campbell returned to the top with gusto on this track penned by Larry Weiss, who had co-written βBend Me, Shape Me,β a big hit for the American Breed.
Elton John β βLucy in the Sky With Diamondsβ
Yet another smash from his incredible β70s run.
KC and the Sunshine Band β βGet Down Tonightβ
Harry Casey (aka KC) captured four #1s in a two-year period. This dance floor crowd-pleaser was the first, in late summer β75.
Wings β βListen to What the Man Saidβ
Truly not one of Paul McCartneyβs most inspired efforts but programmers and listeners embraced it nonetheless.
3 Weeks
Captain & Tennille β βLove Will Keep Us Togetherβ
After being part of the Beach Boysβ touring band, the pair began performing as a duo and earned a recording contract. This first single, co-written by Neil Sedaka and his frequent collaborator, Howard Greenfield, went on to win the Grammy for Record of the Year. Nice debut.
Elton John β βPhiladelphia FreedomβΒ andΒ βIsland Girlβ
You thought we were done withΒ Reg Dwight, with the two singles discussed earlier? You would be wrong. βPhiladelphia Freedomβ was written by John and Bernie Taupin as a favor to pal Billie Jean King, whose World Team Tennis franchise had that name.
As for the second of this pair of three-week chart-toppers, please see the Wings entry, a few tracks above.
KC and the Sunshine Band β βThatβs the Way (I Like It)β
The second of Caseyβs #1s in β75 earned an unusual distinction: after it was bounced after one week, it returned to the top for another two weeks.
Now get back on the dance floor!
Related: What a difference a decade makes⦠The #1 hits of 1965
Written by: shana
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